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Get in on the new craze for digital artAuction houses are hoping to lure the Reddit mob with digital art. Chris Carter reports.

Last month, younger adults with time and money on their hands rocked the investing world when they descended en masse on GameStop and AMC Entertainment, taking on the hedge funds and investment banks. Christie’s is hoping to lure this rabble into shaking up the traditionally staid world of art auctions. It is offering

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, an artwork by Mike Winkelmann, known as Beeple to his 1.8 million Instagram followers. In 2007, Winkelmann began creating an image a day, which he has collected together into this one piece (pictured right). It was 13 years in the making and was “minted” on 16 February.

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Is a “non-fungible token” (NFT) and this is the first time a major auction house has offered a solely digital NFT, with online bidding due to run until 11 March. But what on earth is an NFT?

It’s the art equivalent of a bitcoin. The winning bidder in the auction will receive an encrypted file, bearing the artist’s digital signature and information such as time of creation. The transaction will then be registered on the blockchain, a public digital ledger that cannot be tampered with. It is a technology more often associated with cryptocurrencies, such as bitcoin and ether (ethereum). This latter “crypto” has become the means of exchange most closely associated with the fledgling NFT market. One anonymous bidder on 14 February, as Anny Shaw points out in The Art Newspaper, paid 10.8 WETH (a form of ether), equivalent to $18, 600, for “a glitchy rendering of a flower”. Recognising the popularity of ether among NFT collectors, Christie’s has even said it will accept ether in payment for the principle of

Low at $100 and, as “this is a new medium”, Christie’s has listed its estimate for the artwork as “unknown”. It is keen to find out what will be raised. Beeple, it says, is “one of the most sought-after digital artists within this market, having sold a collection of 20 works at auction for $3.5m on another blockchain-based platform”. He has worked with brands, including Apple and SpaceX, as well as music artists, such as Ariana Grande and Childish Gambino. It is the younger generation associated with these brands that the auction house is out to attract. “I think we are going to see an explosion of not only new [NFT] artwork, ” says Winkelmann, “but also new collectors and I am very honoured to be a part of this movement.”

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It’s not just new technology  that is getting collectors excited. Old “retro” computers are too. “‘Retrocomputing’, [as] the hobby is called, is hardly just a way to pass the time, ” says Kim Key in The New York Times. “Instead, as enthusiasts see it, it’s a means of communing with the past.” Demand for cumbersome, old vintage kit is rising, with collectors flocking to online message boards to trade spare parts. “You get into this mind-set of what it must’ve been like to be somebody in the late 1970s, having spent thousands of dollars on this thing that barely does anything more than a calculator, ” Clint Basinger, who runs YouTube channel Lazy Game Reviews, tells the paper. “It’s like a time machine to me.” Before the pandemic struck, vintage computing conventions were springing up across the US. But its not just an American phenomenon. 

“The retro-computing scene is huge and growing in the UK, ” Martin Cooper, of the British Computer Society, tells Elisabeth Perlman in The Times. “Look no further than eBay. There you’ll see machines including Amigas, Spectrums, and Acorn BBC Micros all eagerly changing hands for hundreds of pounds.” Nostalgia is driving demand. The Acorn BBC Micros, for example, were widely used in schools and they have become favourites among collectors, says Katrina Bowen, design officer at the Centre for Computing History in Cambridge. And because these computers used fairly standard components, “many enjoy the challenge of learning basic electronics and repairing non-working machines”, she says. But it is the Apple-1, created  in 1976 by Steve Wozniak, Steve Jobs and Ron Wayne, that occupies the high end of the market. In March last year, a rare, fully functional one sold for $458, 711.

(above) will become the most valuable Western artwork ever offered in Asia, when it goes up for auction with Christie’s on 23 March in Hong Kong. The painting carries a HK$240m (£22m) upper estimate. It was, says the auction house, painted at the height of Basquiat’s “artistic power”, while the artist was still in his early 20s, marking him out as one of the most important painters of the last half century. The “Christ-like, gladiatorial figure” was “extensively explored by the artist in numerous sketches prior to this work”. In 2017, Christie’s in New York sold a similar painting,

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(late 15th-century) sold for $92m, with fees, late last month with Sotheby’s in New York, setting a new auction record for the Italian Renaissance artist. There were doubts about whether art collectors would still be prepared to pay such sums, says BBC News. The successful sale could help boost prices for other such Old Masters paintings “at a time when many art collectors are chasing newer works from post-war and contemporary artists”. The previous record for a Botticelli was set in 2013, when

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Research from Knight Frank shows buy-to-let landlords could face a huge bill to upgrade their properties to an EPC rating of C or aboveAll articles published by are made immediately available worldwide under an open access license. No special permission is required to reuse all or part of the article published by , including figures and tables. For articles published under an open access Creative Common CC BY license, any part of the article may be reused without permission provided that the original article is clearly cited. For more information, please refer to https:///openaccess.

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The Software-Defined Network (SDN) is a next-generation network that uses OpenFlow to decouple the control plane from the data plane of forwarding devices. Other protocols for southbound interfaces include ForCES and POF. However, some security issues might be in action on the SDN, so that attackers can take control of the SDN control plane. Since live video calling, QoS control, high bandwidth needs, and resource management are inevitable in any SDN/Software-Defined Cellular Network (SDCN), traffic monitoring is an integral approach for safeguarding against DDoS, heavy hitters, and superspreaders. In such a scenario, SDN traffic measurement comes into action. Thus, we survey SDN traffic measurement solutions to assess how these solutions can make a secure, efficient, and robust SDN/SDCN architecture. This research classifies SDN traffic measurement solutions according to network application behavior and compares several ML approaches. Furthermore, we find out the challenges related to SDN/SDCN traffic measurement and the future scope of research, which will guide the design and development of more advanced traffic measurement solutions for a scalable, heterogeneous, hierarchical, and widely deployed SDN/SDCN architecture. In more detail, we list different kinds of practical machine learning (ML) approaches to analyze how we can improve traffic measurement performances. We conclude that using ML in SDN traffic measurement solutions will help secure SDNs/SDCNs in complementary ways.

OpenFlow is proposed as an online communication protocol that is able to control the forwarding plane of an online switch or router. Moreover, OpenFlow API and the stateful data plane [1] are very widespread among researchers, as they are straightforward for collaborating with software controllers. Introductory vendors that uphold OpenFlow include HP, NEC, and some others, and this rundown has since extended significantly.

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Our Space Launch System (SLS) rocket is coming together at the agency’s Kennedy Space Center in Florida this summer. Our mighty SLS rocket is set to power the Artemis I mission to send our Orion spacecraft around the Moon. But, before it heads to the Moon, puts it together right here on Earth.

How do crews assemble a rocket and spacecraft as tall as a skyscraper? The process all starts inside the iconic Vehicle Assembly Building at Kennedy with the mobile launcher. Recognized as a Florida Space Coast landmark, the Vehicle Assembly Building, or VAB, houses special cranes, lifts, and equipment to move and connect the spaceflight hardware together. Orion and all five of the major parts of the Artemis I rocket are already at Kennedy in preparation for launch. Inside the VAB, teams carefully stack and connect the elements to the mobile launcher, which serves as a platform for assembly and, later, for fueling and launching the rocket.

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Because they carry the entire weight of the rocket and spacecraft, the twin solid rocket boosters for our SLS rocket are the first elements to be stacked on the mobile launcher inside the VAB. Crews with ’s Exploration Ground Systems and contractor Jacobs team completed stacking the boosters in March. Each taller than the Statue of Liberty and adorned with the iconic “worm” logo, the five-segment boosters flank either side of the rocket’s core stage and upper stage. At launch, each booster produces more than 3.6 million pounds of thrust in just two minutes to quickly lift the rocket and spacecraft off the pad and to space.

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In between the twin solid rocket boosters is the core stage. The stage has two huge liquid propellant tanks, computers that control the rocket’s flight, and four RS-25 engines. Weighing more than 188, 000 pounds without fuel and standing 212 feet, the core stage is the largest element of the SLS rocket. To place the core stage in between the two boosters, teams will use a heavy-lift crane to raise and lower the stage into place on the mobile launcher.

On launch day, the core stage’s RS-25 engines produce more than 2 million pounds of thrust and ignite just before the boosters. Together, the boosters and engines produce 8.8 million pounds of thrust to send the SLS and Orion into orbit.

Once the boosters and core stage are secured, teams add the launch vehicle stage adapter, or LVSA, to the stack. The LVSA is a cone-shaped element that connects the rocket’s core stage and Interim Cryogenic Propulsion Stage (ICPS), or upper stage. The roughly 30-foot LVSA houses and protects the RL10 engine that powers the ICPS. Once teams bolt the LVSA into place on top of the rocket, the diameter of SLS will officially change from a wide base to a more narrow point — much like a change in the shape of a pencil from eraser to point.

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Next in the stacking line-up is the Interim Cryogenic Propulsion Stage or ICPS. Like the LVSA, crews will lift and bolt the ICPS into place. To help power our deep space missions and goals, our SLS rocket delivers propulsion in phases. At liftoff, the core stage and solid rocket boosters will propel Artemis I off the launch pad. Once in orbit, the ICPS and its single RL10 engine will provide nearly 25, 000 pounds of thrust to send our Orion spacecraft on a precise trajectory to the Moon.

When the Orion stage adapter crowns the top of the ICPS, you’ll know we’re nearly complete with stacking SLS rocket for Artemis I. The Orion Stage Adapter is more than just a connection point. At five feet in height, the Orion stage adapter may be small, but it holds and carries several small satellites called CubeSats. After Orion separates from the SLS rocket and heads to the Moon, these shoebox-sized payloads are released into space for their own missions to conduct science and technology research vital to deep space exploration. Compared to the rest of the rocket and spacecraft, the Orion stage adapter is the smallest SLS component that’s stacked for Artemis I.

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Finally, our Orion spacecraft will be placed on top of our Moon rocket inside the VAB. The final piece will be easy to spot as teams recently added the bright red “worm” logotype to the outside of the spacecraft. The Orion spacecraft is much more than just a capsule built to carry crew. It has a launch abort system, which will carry the crew to safety in case of an emergency, and a service module developed by the European Space Agency that will power and propel the spacecraft during its three-week mission. On the uncrewed Artemis I mission, Orion will check out the spacecraft’s critical systems, including navigation, communications systems, and the heat shield needed to support astronauts who will fly on Artemis II and beyond.

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The path to the pad requires many steps and check lists. Before Artemis I rolls to the launch pad, teams will finalize outfitting and other important assembly work inside the VAB. Once assembled, the integrated SLS rocket and Orion will undergo several final tests and checkouts in the VAB and on the launch pad before it’s readied for launch.

The Artemis I mission is the first in a series of increasingly complex missions that will pave the way for landing the first woman and the first person of color on the Moon. The Space Launch System is the only rocket that can send astronauts aboard ’s Orion spacecraft and supplies to the Moon in a single mission.

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# #Artemis #Moon #Space Launch System #rocket science #space #space exploration #exploration #spaceflight #Orion spacecraft #Artemis I #Kennedy Space Center #Vehicle Assembly BuildingThe arrival of “Valorant’s” Act 2, which launches on August 4, brings with it a fresh battle pass and a colorful new set of skins. But the biggest piece of Act 2 news is the introduction of a new game mode: free-for-all deathmatch.

The mode, which will feature 10 players, no cap on money to buy weapons and no abilities, will launch August 5, a day after Act 2 goes live. Players start with heavy armor and the option to buy any available weapon. Upon spawning, they receive an eight-second invulnerability buff to protect them as they select weapons, which can be exchanged for different weapons at any time. Players are respawned dynamically, after three seconds, in locations that are close (but not too close) to combat, outside of the line of sight of enemies and with their backs to a wall.

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Several mechanics have been implemented to discourage camping in rat corners. A UAV sweeps over the map every five seconds, revealing the locations of all players on the map. Upon death, players drop a health pack that fully restores player health and shields that can only be picked up by running it over.

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The objective is to reach 30 kills; otherwise, the match ends after 6 minutes. Players can quit the match at any time, though they won’t receive XP if they do.

Act 2 will also include a new skinpack, Glitchpop, named after its glitchy holographic visual elements. The skins are among the brightest and flashiest present in the game thus far, a clear differentiation from the current, more staid and serious skins. Glitchpop skins are available for the Frenzy pistol, the Judge shotgun, the Odin LMG, the Bulldog rifle and a melee weapon. The bundle, which also includes a glitchpop card, gun buddy and spray, will cost 8, 700 VP, “Valorant’s” in-game currency (which comes out to roughly $90).

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“Valorant’s” Act 2 battle pass, which costs 1, 000 VP ($10), will include skins, gun buddies, sprays, player cards, titles and Radianite points, similar to the Act 1 battle pass.

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“It should feel like lots of value for the $10 price point, ” said Sean Marino, art lead on Valorant at Riot Games. “For the Act II pass, we decided to look a lot more at how the community responded to the quality of the Act I content. Which cosmetics made players the most happy? What do they want to see more of? Did players feel like there was enough variety for them to express themselves? We tried to include some stuff the community had asked for (bring back the chicken spray!), add more variety (less food-related buddies), create more fun buddies (the toaster and cat were popular), and build off some of the Act I content (like more Tactibear).”

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Arthur Holly Compton (September 10, 1892 – March 15, 1962) was an American physicist who won the Nobel Prize in Physics in 1927 for his 1923 discovery of the Compton effect, which demonstrated the particle nature of electromagnetic radiation. It was a ssational discovery at the time: the wave nature of light had be well-demonstrated, but the idea that light had both wave and particle properties was not easily accepted. He is also known for his leadership over the Metallurgical Laboratory at the University of Chicago during the Manhattan Project, and served as chancellor of Washington University in St. Louis from 1945 to 1953.

In 1919, Compton was awarded one of the first two National Research Council Fellowships that allowed studts to study abroad. He chose to go to the University of Cambridge's Cavdish Laboratory in gland, where he studied the scattering and absorption of gamma rays. Further research along these lines led to the discovery of the Compton effect. He used X-rays to investigate ferromagnetism, concluding that it was a result of the alignmt of electron spins, and studied cosmic rays, discovering that they were made up principally of positively charged particles.

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During World War II, Compton was a key figure in the Manhattan Project that developed the first nuclear weapons. His reports were important in launching the project. In 1942, he became head of the Metallurgical Laboratory, with responsibility for producing nuclear reactors to convert uranium into plutonium, finding ways to separate the plutonium from the uranium and to design an atomic bomb. Compton oversaw rico Fermi's creation of Chicago Pile-1, the first nuclear reactor, which wt critical on December 2, 1942. The Metallurgical Laboratory was also responsible for the design and operation of the X-10 Graphite Reactor at Oak Ridge, Tnessee. Plutonium began being produced in the Hanford Site reactors in 1945.

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After the war, Compton became chancellor of Washington University in St. Louis. During his ture, the university formally desegregated its undergraduate divisions, named its first female full professor, and rolled a record number of studts after wartime veterans returned to the United States.

They were an academic family. Elias was dean of the University of Wooster (later the College of Wooster), which Arthur also attded. Arthur's eldest brother, Karl, who also attded Wooster, earned a Doctor of Philosophy (PhD) degree in physics from Princeton University in 1912, and was presidt of the Massachusetts Institute of Technology from 1930 to 1948. His second brother Wilson likewise attded Wooster, earned his PhD in economics from Princeton in 1916 and was presidt of the State College of Washington, later Washington State University from 1944 to 1951.

Around 1913, he described an experimt where an examination of the motion of water in a circular tube demonstrated the rotation of the earth, a device now known as the Compton gerator.

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That year, he graduated from Wooster with a Bachelor of Scice degree and tered Princeton, where he received his Master of Arts degree in 1914.

Compton th studied for his PhD in physics under the supervision of Hereward L. Cooke, writing his dissertation on The Intsity of X-Ray Reflection, and the Distribution of the Electrons in Atoms.

Wh Arthur Compton earned his PhD in 1916, he, Karl and Wilson became the first group of three brothers to earn Ph.D.s from Princeton. Later, they would become the first such trio to simultaneously head American colleges.

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Th two years as a research gineer with the Westinghouse Lamp Company in Pittsburgh, where he worked on the developmt of the sodium-vapor lamp. During World War I he developed aircraft instrumtation for the Signal Corps.

In 1919, Compton was awarded one of the first two National Research Council Fellowships that allowed studts to study abroad. He chose to go to the University of Cambridge's Cavdish Laboratory in gland. Working with George Paget Thomson, the son of J. J. Thomson, Compton studied the scattering and absorption of gamma rays. He observed that the scattered rays were more easily absorbed than the original source.

Compton was greatly impressed by the Cavdish scitists, especially Ernest Rutherford, Charles Galton Darwin and Arthur Eddington, and he ultimately named his second son after J. J. Thomson.

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For a time Compton was a deacon at a Baptist church. "Scice can have no quarrel", he said, "with a religion which postulates a God to whom m are as His childr."

Returning to the United States, Compton was appointed Wayman Crow Professor of Physics, and head of the Departmt of Physics at Washington University in St. Louis in 1920.

In 1922, he found that X-ray quanta scattered by free electrons had longer wavelgths and, in accordance with Planck's relation, less ergy than the incoming X-rays, the surplus ergy having be transferred to the electrons. This discovery, known as the "Compton effect" or "Compton scattering", demonstrated the particle concept of electromagnetic radiation.

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In 1923, Compton published a paper in the Physical Review that explained the X-ray shift by attributing particle-like momtum to photons, something Einstein had invoked for his 1905 Nobel Prize–winning explanation of the photo-electric effect. First postulated by Max Planck in 1900, these were conceptualized as elemts of light "quantized" by containing a specific amount of ergy depding only on the frequcy of the light.

In his paper, Compton derived the mathematical relationship betwe the shift in wavelgth and the scattering angle of the X-rays by assuming that each scattered X-ray photon interacted with only one electron. His paper concludes by reporting on experimts that verified his derived relation:

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The quantity h ⁄mec is known as the Compton wavelgth of the electron; it is equal to 2.43× 10−12 m. The wavelgth shift λ′ − λ lies betwe zero (for θ = 0°) and twice the Compton wavelgth of the electron (for θ = 180°).

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He found that some X-rays expericed no wavelgth shift despite being scattered through large angles; in each of these cases the photon failed to eject an electron. Thus the magnitude of the shift is related not to the Compton wavelgth of the electron, but to the Compton wavelgth of the tire atom, which can be upwards of 10, 000 times smaller.

"Wh I prested my results at a meeting of the American Physical Society in 1923", Compton later recalled, "it initiated the most hotly contested scitific controversy that I have ever known."

The wave nature of light had be well demonstrated, and the idea that it could have a dual nature was not easily accepted. It was particularly telling that diffraction in a crystal lattice could only be explained with referce to its wave nature. It earned Compton the Nobel Prize in Physics in 1927. Compton and Alfred W. Simon developed the method for observing at the same instant individual scattered X-ray photons and the recoil electrons. In Germany, Walther Bothe and Hans Geiger indepdtly developed a similar method.

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In 1925, he demonstrated that the scattering of 130, 000-volt X-rays from the first sixte elemts in the periodic table (hydrog through sulfur) were polarized, a result predicted by J. J. Thomson. William Duane from Harvard University spearheaded an effort to prove that Compton's interpretation of the Compton effect was wrong. Duane carried out a series of experimts to disprove Compton, but instead found evidce that Compton was correct. In 1924, Duane conceded that this was the case.

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Compton investigated the effect of X-rays on the sodium and chlorine nuclei in salt. He used X-rays to investigate ferromagnetism, concluding that it was a result of the alignmt of electron spins.

In 1926, he became a consultant for the Lamp Departmt at Geral Electric. In 1934, he returned to gland as Eastman visiting professor at Oxford University. While there, Geral Electric asked him to report on activities at Geral Electric Company plc's research laboratory at Wembley. Compton was intrigued by the possibilities of the research there into fluoresct lamps. His report prompted a research program in America that developed it.

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Compton's first book, X-Rays and Electrons, was published in 1926. In it he showed how to calculate the dsities of diffracting materials from their X-ray diffraction patterns.

He revised his book with the help of Samuel K. Allison to produce X-Rays in Theory and Experimt (1935). This work remained a standard referce for the next three decades.

By the early 1930s, Compton had become interested in cosmic rays. At the time, their existce was known but their origin and nature remained speculative. Their presce could be detected using a spherical "bomb" containing compressed air or argon gas and measuring its electrical conductivity. Trips to Europe, India, Mexico, Peru and Australia gave Compton the opportunity to measure cosmic rays at differt altitudes and latitudes. Along with other groups who made observations around the globe, they found that cosmic rays were 15% more intse at the poles than at the equator. Compton attributed this to the effect of cosmic rays being made up principally of charged particles, rather than photons as Robert Millikan had suggested, with the latitude effect being due to Earth's magnetic field.

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In April 1941, Vannevar Bush, head of the wartime National Defse Research Committee (NDRC), created a special committee headed by Compton to report on the NDRC uranium program. Compton's

how to draw digital ahow to draw digital art without a tablet free download

how to draw digital ahow to draw digital art without a tablet free download

You want to get started making digital paintings too, but you don’t know where to start? In this article I will show you how to get started with digital art. The great thing is that making digital art doesn’t have to be expensive, it could be you already have most of the equipment you need!

I haven’t tried out all the products that I show as examples in this article. I’d always recommend reading some reviews of products to make a considered choice. Also, the prices are only an indication, click the link if you want to see the exact price of a product.

Tips For Beginners: Getting Started In Digital Art - How To Draw Digital Ahow To Draw Digital Art Without A Tablet Free Download

At the end of this article you will find the best way to get started with digital art in my opinion. However, that’s just my opinion of course, take from this article what you need and make a considered choice based on your personal situation. Finally, if you have any questions, be sure to ask them!

Digital Drawing For Beginners: Basics Of Digital Shading

Have you already bought everything you need to get started with digital art, but do you struggle with drawing? Then check out these 12 digital drawing exercises.

Note: In this article you’ll find some affiliate links, this means that if you buy something, I will get a small commission. This won’t cost you anything, but you will be supporting this website and allow me to continue making free digital art tutorials for you. Thank you for your support!

A graphic tablet works a bit like a mouse and needs to be attached to your PC or laptop. You can draw on the surface of the graphic tablet using a special stylus (some variants need to be charged, others don’t). The surface of the graphic tablet reflect your screen. So when you put your stylus in the upper right corner of the surface, you will find your cursor in the upper right corner of your screen.

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They are relatively cheap, actually you can get a decent graphic tablet for around $50 – $100. Wacom graphic tablets are seen as the industry standard, but when you get started with digital art, I would advise getting a low budget graphic tablet, they can do a great job.

I’d recommend getting a graphic tablet at A5 size, this is large enough to make fluid strokes (A5 is around 5.8″ x 8.3″).

If you want to make digital art on your computer, but don’t want to use a graphic tablet, then a graphic display might be an option for you. They are more expensive than a graphic tablet, but let you draw and paint directly on a screen. Perhaps this will feel more intuitive to you.

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With an all in one tablet I mean a tablet like an iPad (Pro), Microsoft Surface Pro or Android tablet. There are many drawing apps out there and some of them are free! You might already own a tablet, if that’s the case, then all you need is a stylus to start making digital art. Of course you could draw with your finger, but that isn’t very comfortable and won’t feel very intuitive. Finally, what’s great about all in one tablets, is that you can take them anywhere. You could draw during a trainride, while enjoying a cup of coffee in a cafe or just while relaxing on your couch!

When making digital art on an all in one tablet, you’ll probably want a stylus. Make sure to check the compatibility of a stylus with your tablet before you make a purchase. Another thing to check is if the stylus has pressure sensitivity, since a stylus with pressure sensitivity will give a much more natural feel when drawing.

Below you will find some examples, note that the Wacom Bamboo Tip is compatible with some Android devices, but doesn’t have pressure sensitivity. The Apple Pencil 2 is compatible with the 3rd generation iPad Pro.

CAN YOU DRAW DIGITALLY WITHOUT A GRAPHIC TABLET? I'M GONNA SHOW YOU HOW - How To Draw Digital Ahow To Draw Digital Art Without A Tablet Free Download

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Finally, you could get started with digital art on your smartphone. Downside is that the screen of your smartphone is probably pretty small, which makes drawing on it more challenging. Also, you will probably want a stylus to make drawing a bit easier.

In case you’re lucky enough to have an iPhone, you could get the app Procreate Pocket, which is great to get a feel for digital art.

Another thing you’ll need when getting started with digital painting, is software or an app on your phone or tablet. Prices for digital painting software range from totally free to super expensive. When getting started with digital art, my advice would be to start off with some free (or low budget) software, just to see if you enjoy making digital art.

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Also, the choice of digital art software depends on your hardware, because not all software is compatible with all devices. Procreate for instance, can only run on iPads and Photoshop runs on a PC or a Microsoft Surface Pro for instance.

There are quite some free digital painting programs out there. Perhaps you want to try out one of these programs before you invest in a more expensive program or subscription

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This is an open-source program and a good alternative to Photoshop. Maybe it’s not as powerful as Photoshop, but it has a lot of options. At the Krita website you can find tutorials and resources to get started with your painting adventure. You can download the program for free here.

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This is another free digital art program which is great for manga artists. Mediabang Paint Pro lets you create comic panels easily, has a tool for comic page management and finally the programs snap guides will let you create perfect lines easily. Also, this program is available for Windows, Mac, Android and iOS! You can download the program for free here.

Another free app and software package is Autodesk Sketchbook. It is available for Windows, Mac, Android and iOS. The program has a nice, stripped down interface, so you won’t get distracted by all the tools. You can get this digital painting program for free here.

Next will cover some digital painting programs and apps for which you need to pay. Some of these programs or apps are very low budget and some are super expensive! However, in my opinion you really don’t need to spend a lot of money 😉

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FREE TRIALS: Before you purchase an expensive digital art program, be sure to check if a demo or trial version is available. That way you can check if you like the program before buying it.

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For only $9.99 you can get the app Procreate for your iPad or Procreate Pocket for $4.99. You only need to pay once and will get all the future updates, that’s pretty awesome. With each update, the Procreate team adds more and more great features to the app, making it a true, full blown art creating program. The great upside of this app, in my opinion, is that it is very beginner friendly, so you’ll be making awesome digital paintings in no time! Get the Procreate app here.

This is a great program (for Windows and Mac) when you want to get the feeling that you are painting with real painting. Since it really does a great job mimicking real paint and pencils. The program Corel Painter Essentials is a stripped down version, but costs a lot less!

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This is a great digital art program for manga and comic artists. The program has thousands of customizable brushes and also a pretty cool AI based coloring feature.

Adobe Photoshop is used by a lot of professional artists and has a LOT of features. Since it has so many features it can be quite overwhelming though, making it less suitable for beginners. Another downside to Photoshop (and the Fresco app for iPads) is the pricing. Being tied to a subscription might not be what you want, especially when it comes to the Fresco app. You’ll have to pay $9.99 a month while you only need to pay $9.99 once to get Procreate.

Perhaps you got dizzy from all the information in this article, but I want you to be able to make a considered choice when getting started with digital painting. But maybe you just want to hear my opinion and want to know what I would do. Before I can give you a proper advice, I think it’s important to think about how serious you are about getting into digital art. When I got into digital art about 12 years ago, I was totally passionate about it and was willing to invest a decent amount of money. If I would have to start over right now, I would probably get an iPad or iPad Air, an Apple Pencil and Procreate to get started.

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So if you’re really passionate about drawing and making art, perhaps it is worth it to save up money and invest in an iPad (or iPad Air, iPad Pro). I think Procreate is a great app for beginners and you can find a lot of tutorials online.

In this situation I would recommend getting an iPad (Pro), an Apple Pencil and the app Procreate OR if you already have a PC/Mac and want a program

digital art zombiedigital art creation software center url

digital art zombiedigital art creation software center url

To make a very funky-looking cartoon zombie I will be covering my process of taking a brief through to completion, with tips and tricks along the way including the wonder that is clipping masks. I'll also show the importance of thumbnailing, taking a rough sketch to a final creepy conclusion, line art tricks, and a smattering of colour theory.

For this illustration we will be setting up the artwork for print. We want to have an A3 size print so in the New Document Dialogue (File > New or Control-N) we set: 

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The Color Mode is set to CMYK as we will be printing this document. However, if your artwork is not for print then set the Color Mode to RGB. 

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To prevent us creating the artwork too close to the edge where it may be cut off, create a 100 pixel (px) safety zone using Guides.

Bring up the New Guide dialogue box by going to View > New Guide where we will create four guides. For each guide you will have to reopen the New Guide dialogue box.

Select the boundary with the Rectangular Marquee Tool (M) and hold down Shift to select all four sides. It can be helpful to have Snap enabled (View > Snap) and ensure Snap To > All is selected.

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Control-D to Deselect the area, then go to View > Clear Guides to remove the blue guides. I like to create a grey boundary rather than use guides, because even with snapping turned off, the brush can find itself snapping to the guides, creating undesired straight lines.

According to Wikipedia a Zombie is "an animated corpse raised by magical means, such as witchcraft.The concept has been popularly associated with the Vodou religion, but it plays no part in that faith's formal practices." 

So what does this tell us? We need to create a walking corpse! If you refer to popular culture, we have a fairly stereotypical view of zombies. Groaning animated bodies with distorted joints, moaning eerily, often with open wounds and signs of decay. Films such as Evil Dead, Shaun of the Dead, 28 Days Later and Dawn of the Dead, and games like Silent Hill, Left4Dead and Plants vs. Zombies probably form our stereotypical view of zombies.

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For our zombie I have found some fantastic reference images from DeviantArt and Photodune for poses and anatomy. The area of the zombie I would need most help with would be the skull, so I waited until my thumbnail was chosen to take some reference pictures of my model skull. If you are going to be creating portraits and characters it is a great idea to get well acquainted with anatomy by studying the human form; life drawing classes are excellent for this. I find it very helpful to have a model skull on my desk, especially if I need to work out a tricky angle for a head. There are plenty of stock image sites that have turnarounds of skulls if you can't bring yourself to be greeted by a skull on your desk every day!

Here are the two brushes we will be using for this tutorial. The first is the Hard Edge Custom Brush. Here are my settings.

Thumbnailing is a great, fast way to work out a composition before you start work. Thumbnails are small squares or rectangles set up to the orientation of your document. In these you can quickly rough out poses and compositions to see which is the best use of space and which piece has the best silhouette.

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Below I have created nine portrait rectangles and roughed in a "Z" to each, as this is a central item to the piece. Then using rough, simple shapes I have made up some poses based on reference images and imagination. The three I feel are most undead have been circled in red. 

Next I isolate my favourite three to see which is the strongest. The first reminds me of a bear, and the second is good but not as awkward as the last one. Normally awkward wouldn't be what we're after but seeing as we want a disjointed walking dead dude, this is perfect. 

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I then copy the third rough with the Rectangular Marquee Tool (M) and press Control-C to Copy and Control-V to Paste into my print document. Then I scale the artwork to the document size by pressing Control-T. Note the rough sketch is of lesser quality than we would normally work at, but as this is just a rough, it will not be seen in the final document.

Post Apocalyptic Car Digital Overlays Zombie Hunter Van And

Taking my rough pose, I create a New Layer (Control-Shift-N),  then take a different colour and begin roughing out the human anatomy onto the zombie pose. I start with the skull, using my own reference of a skull and refining the pose using Photodune: scary bloody zombies waiting for a prey as reference.

Then using Photodune: Anatomical Overlays with Internal Organs as reference I make sure the anatomy is approximately right to make our character believable. It can be helpful to block out large shapes for the rib cage and pelvis, and then draw in the details on a New Layer (Control-Shift-N).

Taking my model skull, I arranged it at an angle with the mouth open, and then took a few photos with my phone. I chose the best shot and saved that as reference.

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Taking the skull reference and the face of a female "zombie" I begin work on roughing out my zombie's face. To ensure I am not getting lost in details I like to have a zoomed out window of my artwork open. Window > Arrange > New Window for FILENAME.PSD. This is an identical copy of the document which I keep zoomed out. The benefit of this is that you can work on either document and it will update immediately. Good if you notice a detail you wish to change when zoomed out.

Lower the opacity of the rough sketch. I decided the lower jaw wasn't needed, and without it the zombie dude looks creepier.

 - Digital Art Zombiedigital Art Creation Software Center Url

Taking the hard brush on a New Layer (Control-Shift-N),  I begin to clean up the line art, adding little details as I go such as wrinkles, pock marks, spots, dirt, dimples, tears, and holes. Creating details at this stage means less work in the colouring stage and gives the illusion of more structure than there really is. Rather than going with a traditional black I have opted for a dark purple. I have done this as I want the zombie to have some green and red tones, so purple will be a pleasant contrast and make the greens and reds look more vibrant.

How To Draw Zombies: Discover The Secrets To Drawing, Painting, And Illustrating The Undead (fantasy Underground)

To make life easy we are going to create a solid silhouette for our zombie. We do this so we can Lock Transparency on the layer and colour quickly without going outside our lines. 

Then take a hard edge eraser to tidy up the edges of the silhouette. You can paint in the silhouette carefully by hand, but I prefer this method.

Once you have gone round the whole outline, name the layer Base by double clicking on the layer name in the Layers panel.

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Then go to Image > Image Rotation > 90° CW to make the document landscape. Select the Line Art and Base from our original artwork and drag them into the Landscape A3 Document. Create a guide line under the feet of the zombie by pressing Control-R to bring up the rulers, then using the Move Tool (V) drag a horizontal guide down from the top ruler. 

Next I select the Line Art layer and Base by clicking on the Base layer, holding Shift then clicking on the Line Art layer. Then drag both layers down to the New Layer icon (shown below) at the bottom of the layers palette. 

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This will make a direct copy of both layers and keep them in the same place. Do this once more to create another copy. Next select the Move Tool (V) and select one set of Line Art and Base. Holding Shift press the Left or Right Arrow keys to move the zombie across the document to give three identical illustrations. 

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For each Base layer select Lock Transparent Pixels in the Layers Panel. Lock Transparent Pixels means that we cannot paint outside the grey pixel silhouette. Think of this as masking off the outside of the zombie with digital tape.

To colour over the silhouettes we will be using Clipping Masks. I use these all the time as a non-destructive way of painting an element. On the layer above the silhouette, create a New Layer (Control-Shift-N) then right-click on the New Layer and select Create Clipping Mask. Anything created on this layer will only show on whatever pixels are available on the layer below.

To create Core Shadows on my illustration I will be taking the Local Colour and painting it on a Multiply Layer. For a more realistic approach you can tweak the Local Colour to have a warmer or cooler tone depending on your light source, but for this piece I wanted a cartoon style render. For Highlights and other details I will be colour picking from the MagicPicker Color Wheel and I will cover why I chose these colours.

Create A \\

Take your Hard Edge Brush and start applying colours from your first palette over the zombie. You don't have to be neat with this step, it's just to give you an idea of how

digital art kostenloses girokonto mit mastercard stock

digital art kostenloses girokonto mit mastercard stock

Das momentan beste Girokonto mit Kreditkarte bietet die DKB, mit weltweit kostenlosen Abhebungen und dem bedingungslosen Verzicht auf eine Jahresgebühr weder für das Girokonto noch die Visakarte, überzeugt die Berliner Direktbank seit Jahren viele hunderttausende Kunden.

Es empfiehlt sich das DKB Girokonto als aktives Gehaltskonto zu nutzen, denn ab 700€ monatlichem Gehaltseingang gilt man bei der DKB als Aktivkunde und genießt dadurch zusätzliche Vorteile, wie den Entfall der Fremdwährungsgebühr für bargeldloses Zahlen außerhalb der Eurozone, ein kostenloses Notfallpaket bei Verlust der Karte im Ausland und günstigere Zinsen für den Dispokredit auf dem Girokonto.

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Alle Neukunden gelten in den ersten 6 Monaten unabhängig vom monatlichen Geldeingang als Aktivkunde. Danach muss der Mindestbetrag mindestens 3 Monate in Folge auf dem Girokonto eingegangen sein, damit der Aktivkunden-Status beibehalten wird.

Girokonto Mit Kreditkarte Im Vergleich

Girokonten sind für Privatkunden einer Bank geführte Bankkonten, die für den Zahlungsverkehr in einer modernen Gesellschaft elementar sind. Girokonten ermöglichen z.B. den bargeldlosen Erhalt von Lohnzahlungen sowie das Bezahlen von Rechnungen per Überweisung.

Bei Kreditkarten mit angebundenem Girokonto werden getätigte Kreditkartenumsätze, bei Charge Karten einmal monatlich gesammelt und bei Debit Kreditkarten unmittelbar, über das Girokonto abgerechnet.

Empfehlung der Redaktion: Für Privatkunden ist die kostenlose Monese Mastercard mit Girokonto eine sehr gute Wahl. Die moderne Digitalbank bietet zahlreiche nützliche Funktionen, auf eine Grundgebühr wird bei Karte und Konto verzichtet. ➤ Mehr Infos

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Empfehlung der Redaktion: Die DKB Visa Kreditkarte ist seit Jahren eine der beliebtesten Karte-Konto Kombinationen überhaupt, der Entfall einer Jahresgebühr für die Kreditkarte sowie einer Kontoführungsgebühr, gepaart mit dem top Service und den weltweit kostenlosen Abhebungen, sprechen für sich. ➤Mehr Infos

Empfehlung der Redaktion: Die Revolut Kreditkarte mit Girokonto ist bedingungslos kostenlos, ermöglicht weltweit gebührenfreie Abhebungen und verfügt über die Möglichkeit Aktien, ETFs und Kryptowährungen zu kaufen, unter den Debitkarten mit Konto unserer Meinung nach das aktuell beste Angebot. ➤ Mehr Infos

Zwar ist der Wechsel eines Kontos meist mit Aufwand verbunden, sucht man jedoch sowieso gerade ein neues Konto, gibt es zahlreiche sehr gute Girokonten mit Kreditkarte im Angebot.

Kostenloses Girokonto Mit Kreditkarte (mastercard Oder Visa)

Oft hat man noch ein altes Konto bei einer klassischen Filialbank, nutzt jedoch in Zeiten des Online-Bankings den Kundenservice vor Ort nur noch selten oder gar überhaupt nicht mehr. Direkt- und Digitalbanken bieten hier viele gute Alternativen, zumal sie in Punkto Preis-Leistungsverhältnis zweifelsfrei die Nase vorn haben. So kann ein Kontowechsel samt neuer Kreditkarte in vielen Fällen trotz Aufwand lohnenswert sein.

Schön ist, dass es einige sehr gute kostenlose Karte-Konto Kombinationen gibt, wie z.B. das DKB Girokonto mit Visakarte ebenfalls mit einer kostenloser Visa Kreditkarte, so kann durch einen Kontowechsel und die dann besseren Konditionen auf lange Sicht viel Geld gespart werden.

Die mit der Kreditkarte gemachten Umsätze werden über das Girokonto abgerechnet. Bei Charge Kreditkarten passiert die Abrechnung einmal monatlich gesammelt, bei Debitkarten werden sämtliche Umsätze direkt abgerechnet.

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Aktuell ist das Revolut Konto inklusive Kreditkarte das beste Angebot in dieser Kategorie. Eine Karten- oder Kontoführungsgebühr fällt nicht an zudem kann die Karte weltweit gebührenfrei eingesetzt werden. Die Beantragung dauert nur wenige Minuten, dabei wird auf eine SCHUFA-Prüfung sowie auf ein Adressnachweis verzichtet.

Viele gute Girokonten mit Kreditkarte sind kostenlos erhältlich, das bedeutet, dass für die Kontoführung sowie für das Halten der Kreditkarte keine jährliche Grundgebühr entsteht. Es gibt jedoch auch gebührenpflichtige Kombinationen aus Girokonto und Kreditkarte, hier bewegen sich die Gebühren zwischen 10 – 200€ jährlich.

Girokonto Mit Kreditkarte - Digital Art Kostenloses Girokonto Mit Mastercard Stock

Hagen Föhr hat in den vergangenen Jahren bereits über 100 Kreditkarten analysiert und verglichen. Seine gewachsenen Fachkenntnisse schaffen die Grundlage für eine differenzierte Bewertung der aktuell verfügbaren Kreditkartenmodelle in Deutschland. Seinen Leser*innen dabei zu helfen, die für das individuelle Nutzungsverhalten passende Kreditkarte zu finden, hat dabei oberste Priorität.Heutzutage bieten viele Banken attraktive Girokonten an, besonders die gebührenfreien Kontomodelle sind oft vorteilhaft. Auch wer sich ein kostenloses Girokonto mit Kreditkarte wünscht, hat mitunter einiges an Auswahl. Wir zeigen Euch, worauf Ihr achten solltet und vergleichen die Konditionen und Leistungen der verschiedenen Anbieter!

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Da es bereits viele verschiedene Angebote zu Kontomodellen mit Kreditkarten gibt, ist es leicht, den Überblick über die günstigsten Konditionen zu verlieren. Meist lohnt sich jedoch ein kostenloses Girokonto mit Kreditkarte am meisten. Manchmal erhält man auch ein neues Girokonto mit Prämie. Jedoch sollte man aufpassen, da kostenfrei in der Finanzwelt nicht gleich gebührenfrei bedeutet. In diesem Ratgeber erfahrt Ihr, welche Konditionen ein kostenloses Girokonto mit Kreditkarte unbedingt voraussetzen sollte. Außerdem vergleichen wir die Banken und Ihre Girokontomodelle, sodass Ihr die relevanten Angebote im Überblick habt!

Um einen Überblick über die verschiedenen Angebote der verschiedenen Banken zu bewahren, sollte man die wichtigsten Konditionen stets im Auge behalten. Denn oft können sich die Konditionen, vor allem rund um die Kontoführungsgebühren, ändern. Manche Banken führen zum Beispiel einen Mindestgeldeingang ein, sodass ein Girokonto nicht mehr kostenlos ist, wenn nicht eine bestimmte Summe an Geld im Monat auf das Konto fließt. Folgende Konditionen sollte man also bei der Wahl für ein geeignetes kostenloses Girokonto beachten:

Einige dieser Aspekte wie die Kundenberatung sowie die Gebühren für Transaktionen sind generell für jedes Konto relevant. Allerdings gibt es schlichtweg nicht das ‘ideale’ Girokonto, sodass man an manchen Stellen Abstriche machen muss. Dies ist bei Leistungen sinnvoll, die den alltäglichen Zahlungsgebrauch nicht erheblich beeinträchtigen, wie ein mobiles Online-Banking und moderne Zahlungsmöglichkeiten wie Apple Pay und Google Pay. So kann man zum Beispiel entscheiden, ob die Auslandszahlungen und die Gebühren für den Bargeldumgang auf individueller Ebene besonders wichtig sind und auf welcher vorteilhaften Leistung der Fokus liegen soll.

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An erster Stelle ist auch die Art der Kreditkarte entscheidend – verschiedene Kreditkartenmodelle sind entsprechend auch für andere Verwendungszwecke mehr oder weniger gut geeignet. Grundsätzlich könnt Ihr zwischen den folgenden Arten wählen:

Zudem sind aber auch die Konditionen rund um die Kreditkarte nicht unerheblich. Denn zwar sind in einigen Kontomodellen Kreditkarten enthalten, diese können jedoch von den Konditionen und Vorteilen abweichen. Bevor man sich für ein kostenloses Girokonto mit Kreditkarte entscheidet, sollte man also folgende Dinge im Kopf haben:

 - Digital Art Kostenloses Girokonto Mit Mastercard Stock

Die Fremdwährungsgebühren sind in diesem Fall nur relevant, wenn Ihr viel im Ausland unterwegs seid und dort mit Eurer Kreditkarte zahlt. In Bezug auf die Teilzahlungsgebühren können jedoch Komplikationen entstehen. Denn oft klingen die Konditionen rund um den Zahlungsverkehr oft zu ideal. Das kann daran liegen, dass es eine Teilzahlungsoption gibt. Dies bedeutet schlichtweg, dass die Karte über einen Kreditrahmen verfügt, sodass nur ein bestimmter Betrag des Umsatzes am Monatsende vom Girokonto abgebucht wird. Die übrig gebliebenen Beträge werden als Kredit bei der Bank angerechnet und dementsprechend auch verzinst. Daher sollte man die Teilzahlungsoption unbedingt beachten, denn die entsprechenden Zinsen können so recht schnell sehr teuer werden (durchschnittlich 10 bis 20 Prozent pro Jahr).

Girokonto Mit Mastercard

Außerdem sollte beachtet werden, ob es sich bei dem jeweiligen Kreditkartenmodell um eine VISA Karte oder um eine Mastercard handelt. Denn je nach Anbieter können sich die Kreditkarten in ihren Vorteilen noch mal unterscheiden. Wenn man über all diese Anhaltspunkte aufgeklärt ist, sollte man noch seine Präferenzen anhand des individuellen Finanzverhaltens festlegen. So ist ein kostenloses Girokonto mit Kreditkarte gar nicht so schwer zu finden, wie man anfangs vielleicht vermuten mag.

Ein Argument gegen ein kostenloses Girokonto mit Kreditkarte war bisher immer, dass solche Kontomodelle die monatlichen Kontogebühren an anderen Stellen kompensieren. Doch dies hat sich geändert, denn mittlerweile sind diese Angebote oft um einiges vorteilhafter als teure Girokonten von Filialbanken wie Sparkasse und Volksbank.

Ein kostenloses Girokonto mit Kreditkarte kann schon allein eine gute Wahl sein, da Ihr Euch selbstverständlich die Kontoführungsgebühren spart. Diese können vor allem bei Filialbanken störend sein und zahlen sich bei manchen Girokontomodellen im Preis-Leistungs-Verhältnis einfach nicht aus. Denn aus unserem Banken-Vergleich geht hervor, dass einige Anbieter vergleichbare oder teilweise sogar bessere Konditionen kostenlos zur Verfügung stellen. Zwar bedeutet ein kostenloses Girokonto nicht, dass automatisch keine weiteren Gebühren anfallen, trotzdem kann ein solches Kontomodell je nach individuellem Finanzverhalten lohnenswert sein.

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Kreditkarten, die mit einem kostenlosen Girokonto einhergehen, haben auch oft den Vorteil, dass sie den Zahlungsalltag erheblich erleichtern. Denn mit einer Kreditkarte sind elektronische und bargeldlose Transaktionen schnell und bequem abgewickelt. Außerdem werden Kreditkarten im Gegensatz zu Girokarten fast überall weltweit akzeptiert und bieten somit kaum Probleme bei der Zahlung.

Oft bieten Banken auch eine kostenlose Kreditkarte in Kombination mit einem kostenlosen Girokonto an. Folgende Kreditkarten werden unter Voraussetzung der Girokonto-Beantragung gratis zur Verfügung gestellt:

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Falls Ihr aber lieber auf die Sicherheit einer Filiale zurückgreifen wollt, lohnt sich vielleicht eher ein reguläres Girokonto mit Kreditkarte. Zwar bieten auch Filialbanken kostenlose Girokonten an, an dieser Stelle müsst Ihr aber individuell entscheiden, ob sich das günstigere Kontomodell im Vergleich zu den etwas teureren Girokonten der jeweiligen Banken lohnt.

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Aus unserem Ratgeber geht hervor, dass es bestimmte Kriterien gibt, die ein kostenloses Girokonto ausmachen. Zuerst einmal sollte beachtet werden, dass kostenlose Girokonten nicht gleich auch gebührenfrei sind. Mit diesem Aspekt im Hinterkopf sollte ein kostenloses Girokonto mit Kreditkarte anhand von folgenden Leistungen ausgewählt werden:

Natürlich kommt es neben diesen wichtigen Punkten auch auf die individuellen Interessen des Kontoinhabers an. Denn nur anhand eigener Präferenzen kann man abschätzen, ob sich ein solches Kontomodell lohnt. Die oben aufgeführten Gesichtspunkte sollen aber zur Orientierung helfen, da bestimmte Konditionen zwischen einem vorteilhaften und einem weniger vorteilhaften Angebot unterscheiden.

Leider gibt es keine Bank, die alle diese Voraussetzungen erfüllt. Allerdings gibt es einige Angebote, die äußerst lohnenswert sein können. Die ING, Targobank und Santander stellen zum Beispiel je ein kostenloses Girokonto mit Kreditkarte zur

Tarot / Lenormand Legemuster Schablone / Kleines Quartett /